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Showing posts with label Fibres. Show all posts
Showing posts with label Fibres. Show all posts

Tuesday, 18 January 2011

Spinning Fibres: Silk hankies, two drafting possibilities

I am thrilled to introduce another one of Cecile from The ways of the whorl's guest posts on her adventures in spinning. This time she is going to tell us about her own experience in spinning silk. You can also join Cecile for our Echo Flower Shawl knit along on Ravelry or help her and I share the love this Valentines by joining in the 'A World in Love' project on Flickr. - Eddie

My very first fiber order contained a batch of silk hankies, also called mawatas, together with the merino I was planning to learn on. Having read in Knitty that silk hankies are amongst the easiest of fibers to spin on a drop spindle I decided I should include some in my first batch of fibers. The rationale behind it was simple, if spinning proved too difficult, or if I managed to spin the merino but not the silk hankies, I could just knit with them unspun, as I’d seen the Yarn Harlot do it.

Silk hankies are made by stretching cooked silk cocoons onto a square form. Wormspit.com shows a detailed explanation, with photos clearly illustrating each step, of how the mawatas are made.


Stack of dyed silk hankies (courtesy of Cecile)

I bought mine ready-made from Wingham Wool, they are sold in stacks, as each of them is incredibly thin. I then dyed them with acid dyes and because I hadn’t pre-soaked them for long (I was way too impatient), the colour is slightly deeper on one side of the stack than on the other. I’m planning to use this little error as a design feature at some point.

[Sorry about the greyish tones of most of those pictures, the sun hasn't made an appearance in days around these parts. For a more accurate colour of the silk, have a look at the skein at the bottom of the page, the photo was taken on a sunnier day.]

I first set out to spin my mawatas using the drafting method described in Knitty. Separate one mawata from your stack by grabing a corner and gently pulling, putting your second hand flat underneath to keep the stack stable. Poke a hole in the middle of your mawata with your fingers, and start stretching the hanky by pulling on it with both hands to enlarge the hole. You can rotate the position of your hands along the hanky to obtain a more even thickness.


Predrafted Mawata (courtesy of Cecile)

Once you’re happy with the thickness, just break the loop to obtain a length of ‘roving’. Unlike silk tops, the fibres in the pre-drafted hankies do not slide against, but instead grab each other, which is also why you can even knit with the unspun fibre prepped that way.

For a beginner spinner, it truly is a very easy fiber since it can be predrafted to the thickness you have decided on, and you then only need to focus on spinning the spindle without needing to think about drafting the fibers as you are spinning. It helps deconstructing the movements involved in spinning in more manageable steps. And because the fibers in the mawatas are so ‘grabby’ there are no issues of the predrafted roving falling apart when handling it, or if the twist is introduced too slowly. This makes for a very forgiving predrafted roving.

However, one thing I didn’t like so much about that method was that once the mawata had been stretched, drafting it further whilst spinning (if I suddenly realised that the thickness was uneven for instance) became significantly more difficult, and required much more physical strength in pulling on the roving to make it thinner. It might just be that I am quite lazy at heart, but I like my spinning to be fairly effortless. I therefore looked for alternative drafting method for the hankies.


courtesy of Cecile

In one of my knitting groups, a friend suggested I just tried to draft from the centre, rather than breaking the hanky. Gently but firmly pulling on the fibers at the centre of the hanky, I hold the rest of it lightly folded in my hand, as shown on the picture on the right, drafting from the mawata as I spin. It is now my preferred method of drafting silk hankies, because I am not a great fan of pre-drafting fibres. The edge of the mawata is always slightly harder in texture, so when reaching this part, I usually draft a bit further to keep the same consistency.

And just because I love the finished product, this was just a sample skein: 5.4 grams of mawatas gave me 120 meters of a thin 2-ply… I’ve been pondering what to knit with it…


5.4g skein, approx. 120m of 2-plied mawatas (courtesy of Cecile)

A few mistakes I made with silk hankies, which you could easily avoid:

  • Make your hands as smooth as possible before handling the hankies (exfoliation and moisture are your friends), the hankies will catch on the smallest amount of rough skin.

  • Do not spin very thin silk singles on a Turkish spindle, you might not be able to remove your cop from the arms once done. Because the arms of a Turkish slide into each other, the centre part, which the shaft traverses, is generally thicker than the tip of the arms. When the time comes to remove the arms, the centre needs to slide through openings smaller than itself. With wool, the give in the fabric compensate for the difference in diameter. Silk, I learned the hard way, doesn’t always have enough give for the centre to work its way through.


Tangled singles... (courtesy of Cecile)

  • Beware of plying using an Andean bracelet. Because the fibre is so ‘grabby’, silk singles can get tangled more easily. Making an Andean bracelet is not impossible, but a tangle with silk singles will be much more difficult to sort out… Here is a bracelet of singles I have more or less given up on… well, officially it has simply been waiting to be untangled for the past six months… no sign of the untangling fairy yet…

How about you? Have you tried silk hankies yet? Any tips to share?

The images in this post are copyright of Cecile from Ways of the Whorl. If you wish to use the images please request permission from Cecile.

Friday, 26 November 2010

Fibres: Jacob Sheep



It is thought that Jacob sheep arrived in Britain from the Middle East (via Spain) in the 16th Century. They are very attractive animals and were often kept in English parks as ornamental animals.
Their fleece is black and white patched and fades to brown and white the older they get. They usually have 2-4 horns but can have up to 6 horns and are found in the United Kingdom, Canada and the United States.

Working with Jacob fibres
The fibres are open and lofty and can have a moderately developed crimp. The dual tones of the fleece allows endless possibilities of playing around with black and white tones when spinning.

I bought a fleece not long ago and am spinning it into yarn for a nice sweater for John, who is in charge of the carding. It has a lovely fluffy texture and is easy to draft for spinning.

Have you ever worked with Jacobs sheep? Comment and let me know!

Organisations:
Jacob Sheep Society - UK
Jacob SHeep Conservancy - US
Jacob Sheep Breeders Association - US

The images in this post are copyright of Eddie Roued-Cunliffe. You are hereby granted permission to use them for non-commercial purposes as long as you credit Eddie and link back to this page. If you are using them and talking about this post I would love to hear from you in the comments.

Monday, 8 November 2010

Fibres: Alpaca

[caption id="attachment_2755" align="alignright" width="280" caption="Alpaca fibres, spun and knitted"][/caption]

Alpacas are a part of the camelid family and were first domesticated about 6000 years ago in the central Andes. Alpaca fibres have been found by archaeologists in graves and religious sites predating the Inca Empire in South America. The fibre itself can be found in 22 distinct colours, ranging from blacks through browns and whites, and including subtle shades of maroon, peach and greys. It is a very fine fibre that contains no oil or lanolin. At the moment South America is still where most Alpaca herds can be found although herds are spread across the world in North America, Australia, Europe and China.

Working with Alpaca fibre
Alpaca fibre is very fine but strong and with thermal qualities. It can be blended/carded with other fibres and is known to dye well without loosing it's sheen. Alpaca is becoming more and more popular for use amongst crafts people and because of it's qualities the demand is expected to increase.

Have you tried spinning, knitting or in other ways using Alpaca fibre? Share your experience with us in the comments below.

The images in this post are copyright of Eddie Roued-Cunliffe. You are hereby granted permission to use them for non-commercial purposes as long as you credit Eddie and link back to this page. If you are using them and talking about this post I would love to hear from you in the comments.

Monday, 25 October 2010

Fibre: Soybean

[caption id="attachment_2750" align="alignright" width="262" caption="Soya fibre, spun and knitted"][/caption]

Soybean fibre is a fairly new fibre that can be classed as an environmentally friendly fibre. When manufacturing soyabeans into soymilk, tofu, or soybean oil, dregs are left over as a waste product. In 1937 Henry Ford, founder of Ford Motor Company invented soya fibre by using a new method that could make use of this by-product. Protein liquids from these dregs are extracted and through the process of wet-spinning, these are solidified to form the fibers.
Soya has anti-bacterial properties, is wrinkle free and very colour fast when dyed. Un-dyed it has a beautiful golden colour. Soya fibre is often blended with other fibres such as cotton or wool.

Working with soya fibre
Soybean fibre is smooth and light and has a cashmere feel to it. It has a silky lustre and drapes really nice. Having spun undyed soya for plying with recycled cashmere and merino I find that it is generally easy to work with but requires a bit of practice to draft.

"Soya is very soft and easy to spin and ply. Do note that it only needs a tiny amount of twist to spin and the fibres are very short. The yarn retains a slight halo which I really like. However, it does not have much elasticity and therefore it is important not to knit it too tight." (Cecile)

The images in this post are copyright of Eddie Roued-Cunliffe. You are hereby granted permission to use them for non-commercial purposes as long as you credit Eddie and link back to this page. If you are using them and talking about this post I would love to hear from you in the comments.

Thursday, 14 October 2010

Fibres: Cotswold Sheep

[caption id="attachment_2617" align="alignright" width="263" caption="Cotswold fibres, spun and knitted"][/caption]

Introduced to the Cotswold Hills of Gloucestershire, Britain in Roman times the Cotswold Sheep (also known as the Cotswold Lion) are classified as a longwool. They are heavily built sheep with white faces similar to Leicester and Lincoln breed, which they have been interbreed with over the years. Today the Cotswold is classified as a rare sheep breed.

Working with Cotswold fibres
Cotswold wool fibres are coarse and wavy. They are best for heavy outerwear and carpets. But they are thought to be good for dyeing as they will give the colours great depth and life.

Do you have any experience working with Cotswold fibre? I would love to hear your thoughts in the comments!
Organisations:
The Cotswold Sheep Society - UK
American Cotswold Record Association - US
Cotswold Breeders Association - US

The images in this post are copyright of Eddie Roued-Cunliffe. You are hereby granted permission to use them for non-commercial purposes as long as you credit Eddie and link back to this page. If you are using them and talking about this post I would love to hear from you in the comments.

Wednesday, 13 October 2010

Fibres: Black Welsh Mountain Sheep

[caption id="attachment_2608" align="alignright" width="262" caption="Black Welsh Mountain fibres, spun and knitted"][/caption]

In Medieval times, black wool, known as 'Cochddu' (reddish brown) was much sought-after by merchants. In the 19th century Welsh flockmasters recognised the commercial potential of the black lambs and began to select and breed them carefully to produce a pure and separate strain of Black Welsh Mountain Sheep.
Black Welsh Mountain sheep are small, the ewes are polled and the rams are horned.

Working with Black Welsh Mountain Fibres
The fleece is fairly coarse and is sought after for it's natural black colour. I just bought a bag with a friend this Sunday and I can't wait to have a go at spinning it.

Organisations:
Black Welsh Mountain Sheep Breeders' Association - UK

The images in this post are copyright of Eddie Roued-Cunliffe. You are hereby granted permission to use them for non-commercial purposes as long as you credit Eddie and link back to this page. If you are using them and talking about this post I would love to hear from you in the comments.

Monday, 11 October 2010

Fibres: Bluefaced Leicester Sheep

[caption id="attachment_2590" align="alignright" width="266" caption="Blue Faced Leicester fibres, spun and knitted"][/caption]

Bluefaced Leicesters are very majestic sheep with a broad muzzle, good mouth and a tendency towards a roman nose, bright alert eyes and long erect ears. The wool fibres are normally whitish and the name comes from the dark blue skin which can be seen through the hair on their heads.

Previously known as the Hexam Leicester it is now known as the Bluefaced Leicester and is the most popular crossing sire throughout the British isles. The term Mule sheep means any crossbred sired by a Bluefaced Leicester. The 'Mule ewe' makes up almost half of the UK's crossbred ewe population. Bluefaced Leicesters can be found in the United Kingdom, Canada and the United States.

Working with Bluefaced Leicester


Bluefaced Leicester fibres are long and fine and forms  long, narrow, curly locks. It works well for strong, smooth fabrics that will drape well.

'I found that Bluefaced Leicester, with it's longish fibres, drafts very easily, which makes my spinning much more even. It is very soft and nice to knit - you might even say it is bouncy!' (quote by Cecile Renaud)




Organisations:

Bluefaced Leicester Sheep Breeders Association - UK

Bluefaced Leicester Breeders Association (BFLBA) - US

Bluefaced Leicester Union of North America




The images in this post are copyright of Eddie Roued-Cunliffe. You are hereby granted permission to use them for non-commercial purposes as long as you credit Eddie and link back to this page. If you are using them and talking about this post I would love to hear from you in the comments.